Conference at the Museu Biblìc!

On 14 July, I presented some of the results of my research stay in Tarragona (as Conex-Plus secondment) during the conference “La arqueología cristiana en Tarragona a principios del siglo XX. Descubrimientos, estudios, museos y la relación con Roma” at the Museu Biblìc.

Many people attended this talk on the cultural and museographic relationship between Rome and Tarragona in the early 20th century. Thank you Tarragona for such a heartfelt participation!

New outcome from the project LIT!

In the last issue of the online Journal of Art Historiography (Number 26, June 2022) the is the most recent output of the Project LIT!

The study and dissemination of an iconography: banquet scenes from the catacombs of Rome to the facsimile catacombs of the nineteenth century

In general, the text traces the discovery and the history of two important banquet scenes from the Roman catacombs (from the Catacombs of Callixtus and from the Catacombs of Priscilla). It focuses on the fortune of these scenes in Europe. this fortune developed in their reproductions found in various churches and chapels up to the middle of the 20th century. This overview helps in understanding how the study and reproduction of a single iconography can contribute to a general reconstruction of the development of the discipline of early Christian art history.

The whole article can be read here: https://arthistoriography.files.wordpress.com/2022/05/cecalupo.pdf

While the issue is fully available at: https://arthistoriography.wordpress.com/26-jun22/


LIT! @ 2022 MSCAA Conference

On March 26th, the project LIT! was presented during the online Poster Session 6 (Humanities and SPR) at the 2022 Marie Curie Alumni Association Annual Conference. The conference was held in Lisbon and online in hybrid mode.

This year’s theme was “Sustainability and the post-pandemic workplace”, and my contribution was titeled “Catacombs, facsimile copies and museums between the nineteenth and twentieth centuries: How digital archives and open access amplify the post-pandemic workplace of a historian”.

It was a good occasion to reflect on how the archive and bibliographic work of historians has changed due to the pandemic. I had the possibility to briefly present my poster with a 3-min speech and two slides.

The poster will be shared here in the following days.

It was an inspiring experience, the whole event was truly thought-provoking and it was great to connect with MSCA peers from all over the word!

Exposition “Una postal de las catacumbas”: Press coverage

In this post we will share links and pictures of the international press echo of the exhibition

 Una postal de las catacumbas. Exposición de tarjetas postales artísticas de las catacumbas romanas de 1890

(18 March-1 April 2022; Library of Humanities, Communication and Documentation. Campus Getafe, Universidad Carlos III of Madrid).

Update in progress

Social Media

A postcard from the catacombs: new exposition at Universidad Carlos III

At the end of the 19th century, the catacombs were not just the object of archaeological research. From 1883 until 1930, the Trappist Fathers were entrusted with the care and management of the catacombs of Saint Callixtus. The community settled in the abbey built on the site of the catacombs and began to receive the numerous pilgrims and tourists who came to visit them.

Around 1890, their activities to promote the catacombs as a tourist and religious site began to develop considerably. In particular, they began to print valuable souvenirs with images of the frescoes of the catacombs in the Luigi Salomone lithography workshop: first, postcards, whose designs are attributed to the Roman painter Romeo Cavi, and then a booklet with images of the spaces and paintings of the catacombs and explanations of them. All the drawings on these objects are inspired by – and even copied from – the engravings and illustrations in the volumes of “Roma Sotterranea Cristiana” by Giovanni Battista de Rossi.

Many of these objects can now be seen in the exhibition: Una postal de las catacumbas. Exposición de tarjetas postales artísticas de las catacumbas romanas de 1890

From 18 March to 1 April 2022. Library of Humanities, Communication and Documentation. Campus Getafe, Universidad Carlos III of Madrid.

Organised by Chiara Cecalupo in the framework of the Conex-Plus project and in celebration of the second centenary of the birth of Giovanni Battista de Rossi (1822-1894).

Una postal de las catacumbas

Online talk: Revealing Christian Heritage

We are glad to announce that on September 29, 2021, h. 15-17.30 (CET), the project Conex Plus will host the following workshop:

Revealing Christian Heritage. Talks on the rediscovery of Christian archaeology between 1860 and 1930

September 29, 2021, h. 15-17.30 (CET)

online at https://eu.bbcollab.com/guest/7038e9bcf05448da9a7b92a4fe21e2b4

Everyone is invited to participate to the talk and the discussion!Feel free to comment this post for additional info!

LIT! at the 27th EAA Annual Meeting

On Friday 10 of September The Project LIT! was presented at the 27th Annual Meeting of the European Association of Archaeologists (officially in Kiel, but held online due to the current situation)

The presentation was included in Session #230, “Stories and Compassion: Material Culture, Memory, and Emotion”, organized by Liv Nilsson Stutz (Linnaeus Univeristy, Sweden) and Sarah Tarlow (University of Leicester, United Kingdom). The precious session explored theories of memory and emotion through archaeological case studies and analysis of material culture. All the presenteed studies explored the connections between materiality, emotion, and memory in the lived experience of the past and present.

My speech investigated the growing interest of European people in catacomb archaeology from the late 19th century and provided many old prints and pictures, archival texts and old articles, that offer clear evidence of the public response to some of the most important fac-simile catacombs build in Northern Europe. From these sources, it appeared that the incredible fascination of original Roman catacombs remained vivid in these “fake” monuments. They clearly contributed to the definition of the role that Christian antiquity had in Europe in creating emotional experience of archeological sites.

I truly hope that the proceedings of these session will be published somewhen!